Böcker, filmer och länkar12 April 2008 3:27 pm

Most Malaysians had probably forgotten that the word they used for the strange, primitive, very shy people living in the deep jungle of the mountains (sakai) means “slave”. They rarely thought about those jungle dwellers who wore few clothes and were rarely seen anywhere. In fact, the Sakai, the slaves, were an almost mythical people; few Malaysians had seen them.

After I grew to know the Sng’oi, the People, and when I knew they accepted me, I apologized for having spoken of them as slaves before I knew what they called themselves.

We were sitting around the embers of a little fire in the early evening. There was a flickering oil lamp shedding some light on the porch of one of the little shelters. In this settlement there were four houses; no more than fifteen people lived here. After the sun went down, we sat around, talking now and then, mostly just being together.

I had learned a little of their language, I tried to understand some of what they were saying, but I never became really fluent. My apology was a simple phrase. I said I hoped they did not mind that I had called them Sakai. I was not sure whether I had said it right, and for a long time there was no reaction at all.

I imagined that I saw smiles on a few faces, but it was dark. I could not be sure. Long silences were not unusual among the People. Often someone would say something that would be followed by silence until, finally, one person would answer. This one person obviously spoke for the group, but I often wondered how he or she knew what to say for the group.

This time, again, one person answered. He - a rather adventuresome young man, I was told later - spoke slowly, simply, for my benefit perhaps. “No,” he said, “we do not mind when others call us Sakai. We look at the people down below [de bodde uppe i bergen, Eberhards anm.] - they have to get up a certain time in the morning, they have to pay for everything with money, which they have to earn doing things for other people. They are constantly told what they can and cannot do.” He paused, and then added, “No, we don’t mind when they call us slaves.”

Eberhard

Kulturspår 12:36 pm

 

Hej
Välkommen till min magisterexamen i fri konst på Galleri Mejan den 19:e - 30:e april 2008. Jag har byggt en hydda i skogen. Jag visar den och dess bakgrund och arbetet med den; på galleriet och med en gratis busstur till skogen. Under tiden kommer också olika grupper ge sina tankar om boende, arbete och liv genom föredrag, bild och film. Utanför galleriet kommer en tiepi finnas, där vi eldar och pratar med dom som vill.

Välkommen!
Jennie Öberg

 

Igloon är en symbolladdad, temporär arkitektonisk form som jag använder mig av i utställningen IGLOO CONSTRUCTION, Iglookonstruktionen är byggd utifrån traditionella och urgamla tekniker men utförd i ett främmande material, torv. Liksom snön har torven en egen process av nedbrytning och naturalitet. Skulpturen är placerad så att den integrerar i och synliggör den omedelbara omgivningen - Galleri Mejan och Stockholm.
Vernisaggekortet, ett annat verk, se: www.jennyberntsson.com

Välkomna!
Jenny Berntsson

 

ARBETE BOENDE LIV - Jennie Öberg
Magisterutställning 19-30 april
Galleri Mejan, Exercisplan 3, Skeppsholmen, Stockholm
Mittemot Moderna museets entré. Öppet 20-30/4 kl. 12-18

19/4
VERNISSAGE                                KL.13.00
GUIDAD BUSSTUR TILL SKOGEN    KL.14.30
MIDDAG                                      KL.18.00
FÖREDRAG                                  KL.19.00-23.00

URBAN COWBOYS
Elin Johansson och Jona Elfdahl
BOENDEFRÅGOR - PÅ LIV OCH DÖD
Erik Hårdstedt och Nico Schmidt
FINSKA LANDSORTENS KÄRLEKSREVOLUTION
Ett schamanskt revolutionsprojekt från finska landsbygden
TAWA
Urbefolkningsrepresentanter inleder med en Inkaritual och berättar om Andiska grundläggande naturlagar och principer

MUSIK, FILM, SAMTAL OCH ELD SPONTANT UNDER UTSTÄLLNINGEN

26/4 bla.
KULTIVATOR
Bildkonst och jordbrukskollektiv
TOMMA RUM
Konst och kommunsamarbete som använder oanvända lokaler runt om i Sverige under somrarna. www.tommarum.se

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